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The Guadagnini Inspired Quintet: Cinque Terre Collection

The quintet inspired by Guadagnini

Our Guadagnini inspired quintet, consisting of three violins, a viola, and a cello, pays homage to both the Ligurian coast and Guadagnini's legacy. Each instrument reflects a chapter of his journey through Italy, blending exquisite craftsmanship, fine details, and a harmonious tonal palette.

Exploring the Unique Guadagnini Inspired Soundscape.

Manarola Cinque Terre Iotti & Vibe
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Manarola Violin Inspired by G.B. Guadagnini Contemporary Style Iotti & Vibe

“Manarola” Violin:

A Guadagnini Inspired Masterpiece

The inaugural violin of our Guadagnini inspired quintet draws inspiration from the exceptional craftsmanship of the Piacenza period, specifically the Baron Knoop violin crafted by Guadagnini in 1744.

Our approach to redesigning this historical instrument centers around a meticulous pursuit of precision and symmetry. Consequently, we aim to achieve a modern standard that preserves its enduring beauty. Furthermore, by conducting thorough analyses and employing careful redrawing, we strive to strike a balance between honoring the original aesthetics and meeting the demands of contemporary standards.

The sound produced by this violin is expansive and commanding, resonating with a remarkable breadth. Moreover, its sonic character is superbly complemented by the varnish's enchanting burnt red and brown hue, creating a harmonious visual and auditory experience.

This violin was also our contribution to the 2023 Piacenza competition, in which we won 2nd prize in the professional makers violin category.

Corniglia Violin Guadagnini Contemporary Style Iotti & Vibe 2

“Corniglia” Violin

Milanese Echoes

This violin represents the second instrument in our Guadagnini inspired quintet, a project inspired by a deep curiosity to explore the extraordinary career of this prolific maker. For this second stop on our journey, we have arrived in Milan.

Giovanni Battista Guadagnini led a remarkable life, with a career spanning nearly 50 years as he moved through Piacenza, Milan, Cremona, Parma, and ultimately Turin. Indeed, each city influenced his work, resulting in distinctive styles that reflect his innovative character.

By the time Guadagnini arrived in Milan in 1749, the city had already been home to many renowned violin makers, including the Grancino family and later the Testores. However, the violin-making tradition in Milan had notably declined by then. Ferdinando Landolfi was the only maker still producing high-quality instruments when Guadagnini arrived.

During the Milanese period, Guadagnini's style was characterized by a broader model, a better selection of wood, and a more intense varnish color. Additionally, the ff-holes became more angled, and the holes larger and oval in shape while remaining unfluted.

With this violin, we have sought to capture the distinctive style of Guadagnini's Milan period while maintaining cohesion with the other instruments in the quintet. The maple wood used is cut from the same slab, and the varnish tone harmonizes with its siblings. As a result, the sound is direct and powerful, blending beautifully with the other instruments in the quintet.

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Frontal picture of a contemporary style violin inspired by G.B. Guadagnini, with a modern finish.
Vernazza Cinque Terre Iotti & Vibe
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Vernazza Violin Inspired by G.B. Guadagnini Contemporary Style Iotti & Vibe

“Vernazza” Violin

A Parma Homage

Arriving in our hometown of Parma, this violin holds a special place in our hearts. As the third and final violin of our quintet, all crafted from the same wood, it completes the violin section of our ensemble.

Giovanni Battista Guadagnini, a name that stands proudly alongside the likes of Antonio Stradivari and Giuseppe Guarneri as one of the most renowned makers of his time. Born in 1711, Guadagnini's instruments are a testament to his extraordinary craftsmanship; each one reflects the city in which it was created.

During his years in Parma, Guadagnini enjoyed the patronage of the Duke, a favorable period that lasted until 1766 when the Duke passed away. His successor, lacking his father's appreciation for the arts, began dismantling the court's institutions. By 1771, it was clear that both Guadagnini and his clients would soon lose their positions. Foreseeing this, Guadagnini chose to sever his ties with the court and set off for his next destination.

This violin is our effort to perfect the delicate style of Guadagnini's Parma period. The elongated, refined corners and the oval-shaped ff-holes, curiously placed higher on the table which causes the notches to be lower, are all distinctive features of this period. Ultimately, its voice resonates beautifully alongside the other two violins, completing the harmony of our Guadagnini inspired quintet.

Monterosso Cinque Terre Iotti & Vibe

“Monterosso” Viola

The Essential Alto Voice

This viola is our tribute to the elegance of G. B. Guadagnini's 1768 'Vieuxtemps' viola. This viola features moderate archings and elongated, refined corners. The reddish-brown varnish beautifully enhances the flamed maple wood, while its powerful sound embodies the rich, essential alto voice that defines the viola.

The viola plays an essential role in any string ensemble. Yet, crafting violas that possess both the range and clarity needed for solo performances, as well as the power and depth required for ensemble work, remains a challenge. We believe this instrument embodies those very qualities and offers exceptional versatility. Furthermore, its compact size further enhances its appeal, making it an ideal choice for a wide range of artists.

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A frontal view of a viola inspired by G.B. Guadagnini, showcasing its warm and sonorous character.
Riomaggiore Cinque Terre Iotti & Vibe
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Riomaggiore Cello Inspired by G. B. Guadagnini Contemporary Style Iotti & Vibe

“Riomaggiore” Cello

Completing the Journey

Finally, we return to Piacenza with this exquisite rendition of the Ngeringa cello by G. B. Guadagnini, marking the completion of our ambitious Guadagnini inspired quintet, a journey that has spanned over a year and a half.

The process of building five instruments all from the same slab of wood has been gratifying but also challenging. Nevertheless, it gave us the opportunity to explore the extraordinary life and career of this great maker.

Instruments from Guadagnini's Piacenza period have distinct characteristics: the purfling is set close to the edge, the corners are narrow and pointed, the ff-holes are widely spaced, and the scrolls feature a narrow, straight back.

We have strived to capture all these details in this cello. The most striking feature is its scroll, where the curl extends well past the typical stopping point near twelve o'clock. Indeed, the sound is both powerful and clear, providing the perfect foundation for the quintet.

We have strived to capture all these details in this cello. The most striking feature is its scroll, where the curl extends well past the typical stopping point near twelve o'clock. The sound is both powerful and clear, providing the perfect foundation for the quintet.