Absolutely. Commissioning an instrument is a collaborative process. You can select the specific set of wood, personalize the varnish shade, and request custom ergonomic specifications for the neck profile and setup to ensure maximum playing comfort .

Yes. We have extensive experience shipping to professional musicians and collectors in the USA, UK, and Asia. We provide complimentary international shipping using professional-grade and double-walled reinforced boxes. Every shipment includes full insurance coverage for absolute peace of mind .

We exclusively use premium, aged tonewoods. Our soundboards are made from resonant Val di Fiemme spruce . For the backs and sides, we utilize Balkan maple or locally sourced Italian “Oppio” maple, prized for its high density and distinctive greyish hue, which perfectly complements our traditional oil-based varnishes .

Each instrument requires approximately 200 hours of meticulous hand-craftsmanship. The entire process, from the initial wood selection to the final varnish drying stages, typically spans several months. 

While we maintain a select few instruments available for immediate trial in our workshop, we primarily work on a commission basis. If a specific model is not currently in stock, it can be custom-crafted to meet your acoustic and aesthetic requirements.

Contemporary instruments offer superior structural reliability and a “fresh voice” . Unlike antiques, they have not endured centuries of wear or hidden damage like sound post cracks . Furthermore, working with a living maker allows you to work directly on precise ergonomic adjustments, such as neck shape and string length, tailored to your hand size. 

Yes. Our workshop is deeply rooted in the Parma, Bologna and Milan traditions. We specialize in creating contemporary masterpieces inspired by the archetypes of G.B. Guadagnini, Ansaldo Poggi, and Giuseppe Ornati, combining historical aesthetics with modern power and projection.

Deciding to restore an old instrument depends on its provenance, structural integrity, and tonal potential, as well as sentimental value. Feel free to reach out for consultation on whether or not restoration is a sound investment compared to the instrument’s value.

Our work is recognized for its excellence in major competitions. Notable honors include the Silver Medal at the Piacenza competition (2023) and the Maggi Award (2022) at the A.N.L.A.I. International Violin Making Competition. These awards serve as “trust markers” for the investment value of our instruments.